haha. supraapreciezi acei "producatori autohtoni". n-au ajuns aici, si cand or ajunge, isi vor da seama ca nu se poate.
cat despre ceilalti, de-ar asculta doar, asa tare m-as bucura.
Genre: Folk
1. Nick Drake - Time Has Told Me (1970) (4:27)
2. Nick Drake - River Man (1970) (4:22)
3. Nick Drake - Three Hours (1970) (6:15)
4. Nick Drake - Way To Blue (1970) (3:11)
5. Nick Drake - Day Is Done (1970) (2:25)
6. Nick Drake - Cello Song (1970) (4:47)
7. Nick Drake - Thoughts Of Mary Jane (1970) (3:22)
8. Nick Drake - Man In A Shed (1970) (3:55)
9. Nick Drake - Fruit Tree (1970) (4:49)
10. Nick Drake - Saturday Sun (1970) (4:05)
Code: Select all
http://www.filebox.ro/download.php?key=a9acf4cb545e7a3c6af82694e7b4048e
Five Leaves Left was Nick's first album, and overall the most realized - he took over a year putting it together after all. If you don't like the sound of strings and flutes you'll probably want to hear the later Pink Moon instead, which is basically just Nick and his guitar. Either way, just make sure you check him out somehow. Any Drake offering is a treasure not to be missed.
1. Nick Drake - Pink Moon (2:06)
2. Nick Drake - Place To Be (2:43)
3. Nick Drake - Road (2:02)
4. Nick Drake - Which Will (2:54)
5. Nick Drake - Horn (1:23)
6. Nick Drake - Things Behind the Sun (3:57)
7. Nick Drake - Know (2:25)
8. Nick Drake - Parasite (3:36)
9. Nick Drake - Free Ride (3:06)
10. Nick Drake - Harvest Breed (1:37)
11. Nick Drake - From the Morning (2:30)
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http://www.filebox.ro/download.php?key=c046945b4774b486911d8f65565af389
After two albums of tastefully orchestrated folk-pop, albeit some of the least demonstrative and most affecting around, Drake chose a radical change for what turned out to be his final album. Not even half-an-hour long, with 11 short songs and no more — he famously remarked at the time that he simply had no more to record — Pink Moon more than anything else is the record that made Drake the cult figure he remains. Specifically, Pink Moon is the bleakest of them all; that the likes of Belle and Sebastian are fans of Drake may be clear enough, but it's doubtful they could ever achieve the calm, focused anguish of this album, as harrowing as it is attractive. No side musicians or outside performers help this time around — it's simply Drake and Drake alone on vocals, acoustic guitar, and a bit of piano, recorded by regular producer Joe Boyd but otherwise untouched by anyone else. The lead-off title track was eventually used in a Volkswagen commercial nearly 30 years later, giving him another renewed burst of appreciation — one of life's many ironies, in that such an affecting song, Drake's softly keened singing and gentle strumming, could turn up in such a strange context. The remainder of the album follows the same general path, with Drake's elegant melancholia avoiding sounding pretentious in the least thanks to his continued embrace of simple, tender vocalizing. Meanwhile, the sheer majesty of his guitar playing — consider the opening notes of "Radio" or "Parasite" — makes for a breathless wonder to behold. If anyone needs confirmation as to why artists like Mark Eitzel, Elliott Smith, Lou Barlow, or Robert Smith hold Drake close to their hearts, it's all here, still as beautiful as the day it was released.