Mda.. se pare ca numanui nu-i place Sixtoo sau a fost uitat ..sunt "fana" de cateva luni.
Ascult rar.. nefiind potrivit in orice moment.. dar atunci cand vine acel "moment".. e lider!
Se muleaza pe starea mea si-o hraneste.. grav!
ninja tune
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sunrah
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doru649
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ce n'am vazut eu aici e jaga jazzist si greul wagon christ aka luke vibert..
oricum, daca ar fi sa aleg unul, tot la tobin as ramane.
mai cu seama permutation, albumul care m'a bagat in toata obsesia asta "ninja" acum vreo 6 ani in urma...
oricum, daca ar fi sa aleg unul, tot la tobin as ramane.
mai cu seama permutation, albumul care m'a bagat in toata obsesia asta "ninja" acum vreo 6 ani in urma...
Last edited by doru649 on Sat Feb 11, 2006 6:38 am, edited 2 times in total.
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asta datorita faptului ca se mutase la un moment dat.. dupa care iara.. iara.. oricum el tot timpul a schimbat label'urile.. un motiv in plus care-a demonstrat ca-l duce bibilica.. si nu numai.. chiar si ea pe el.. atat de "greu" e omul. Cand am ascultat prima data Sixtoo, imi daduse un amic un mix, remarcasem piesa lui. Din cate-mi relata acelasi amic, omul disparuse cateva luni (ceva gen Vexx'Daya wrote:nu are albume numai la ninja tune
) pleca de nebun, s-a ascuns in al sau barlog, ca dupa sa ne dea lovitura > duration < caruia cu siguranta daca ii dau drumul pe orice.. vinyl sau cd.. ma injura multi.. simtind acea arie negativa cum te atrage spre ea instantaneu. In viziunea lui.. un astfel de artist este un hip hop purist.. exact invers fata de noi.. care ii vedem pe oldsculari puristi. Mie mi se pare o aberatie toata conceptia asta, dar infine, ramane la latitudinea fiecaruia. Prima intentie cand ascult acest album ar fi sa-l trag de maneca sa-i spun "man.. stop! that's the wrong way". De ce am amintit doar de Sixtoo, sunt multi altii, care-au fost insiruiti de voi pe care-i respect si-mi plac fiecare in stilul lor.. mai mult sau mai putin. Omul asta mi se aseamana prea tare.. si cand spun asta ma refer strict la modul de a trai.. (exceptand cariera sa muzicala) problemele pe care le are.. felul in care le percepe si le transpune.. e o arta sa faci asta.. nu oricine poate.. de aceea am impresia ca il apreciez cel mai mult din toata familia asta Ninja Tune. Toata povestea asta cu viata se opreste in momentul in care pleaca dupa a lui iubita.. de acolo parca mi se rupe filmul.. aici nu vreau sa intru in detalii.. muzica tot i-o simt! Inca ceva legat de el ce mi-a placut mult, formula cand era cu Buck formand Sebutones. "Pointing Fingers" n-o sa uit piesa.. restul e secret. Bine spune inainte de a scoate "chewing on glass..": "There's changes in the air. Keep your headphones low to the ground! Din acest punct am inceput sa fac mofturi.. destul de simtitor valul.. cum spunea cineva mai devreme.. e mai "dur".. da.. chiar agresiv.. voi incerca sa ascult ce-a scos in 2006 chiar daca e mai agresiv. Vreau sa ma conving.. cum spunea Iorga: 'Nu zi niciodata "nu se poate", ci incepe cu "sa vedem". ' Ca o paranteza.. nu numai Sixtoo are albume scoase la alte label'uri.. vezi Jaga Jazzist, Bonobo, Amon Tobin s.a.m.d.
you just never know when you're living in a golden age.
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doru649
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Fink - Biscuits for Breakfast
(Ninja Tune 2006)
01. Pretty Little Thing
02. Pills in My Pocket
03. You Gotta Choose
04. All Cried Out
05. Tina Country
06. Biscuits
07. So Long
08. Kamlyn
09. Sorry I'm Late
yeah, you've got it right: "folk, blues, soul and dub". it's just very different from the previous fink album. he sings now. and i haven't been so surprised about an artist deciding to sing ever since 3d of massive attack started jerking around. mind you, fink sings better. in fact, he's got great vocals. great job.He's traded in his turntables for an acoustic guitar and this time it's personal.
After the critical acclaim which has met Fink's two singles, Pretty Little Thing and So Long, now it's time for the full length, Biscuits for Breakfast. Completely recorded at his 7Dials studio in Brighton and already drawing comparisons to the mighty John Martyn, Biscuits for Breakfast is a highly personal, beautifully executed journey into folk, blues, soul and dub overtones that sees the former trip hop beatsman reinvent himself in a way that's more akin to a religious conversion than normal record company "change of haircut" practice.
From the very opening of the record, Pretty Little Thing, Fink shows that his lyrical pre-occupations are very much his own. While he touches on themes which are in themselves familiar - love, sex, loss, bad jobs, the ephemera of everyday life - he treats them with such an attention to detail and to his own genuine feelings that they fly. Pills in My Pocket tells of an abortive attempt at a date while at the Glastonbury Festival. You Gotta Choose details an impasse in a relationship. Next comes Fink's majestic reinterpretation of Alison Moyet's All Cried Out, before he is joined by Tina Grace for a fantastic duet on the aptly-named Hush Now. Title track Biscuits recounts the tale of Fink's days as a tea boy, while Kamlyn perhaps provides the emotional centre of the record, a moving tale of messing up the best thing in your life.
Beautifully produced, achingly soulful, Biscuits for Breakfast is an album that will stand the test of time, because at root it's built on original, honest song-writing.
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